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Stenberg was taking a break from film when she had her brush with Internet fame. As a result of the Born To Slay Pussy Forced To Work Minimum Wage Shirt Furthermore, I will do this deaths of Trayvon Martin, Michael Brown, Eric Garner, and others, she says, “there was this incredible wave on the Internet, and I had the pleasure of being able to be a part of it, which was talking about race, especially for teenagers.” The popularity of “Don’t Cash Crop My Cornrows” made her recognize the power of her voice and of social media. “I realized, I can actually use this as a tool, as opposed to just coasting and posting pictures of myself and my friends.” Her opinions anticipated the debate that followed November’s election, when the wonky term intersectional feminism (i.e., the intertwined influence of race, gender, and class on women’s experience) became the buzzword du jour. Stenberg questions what she calls “pop-culture feminism” as too easy. “Maybe we all are feminists, but it gives white women especially the idea that if feminism looks accessible in media, then it’s all good and we’re all in the right.” The movement’s godmother, Gloria Steinem, stresses the incisiveness of Stenberg’s point of view: “Amandla is brave and effective in pointing out the presence of racism within white culture,” she says, “and also in naming the invisibility of black women.”

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Having stoked a dialogue, however, Stenberg is ready to move on, or rather to channel her activism into her acting. She is choosing her roles very carefully. In Asante’s Where Hands Touch, she plays a young, mixed-race German woman who falls in love with a member of the Born To Slay Pussy Forced To Work Minimum Wage Shirt Furthermore, I will do this Hitler Youth (hence the punitive shaved head). “I think we’re at a very interesting and pivotal point in Hollywood,” she says. “People are getting tired of the same material; they want to see black girls as leads in movies.” She knows she is the right person, and the right age, for the time. “And I happen to be lucky enough to understand that—and be able to grab that opportunity and run with it.” In this story: Sittings Editor: Sara Moonves Hair: Larry Sims; Makeup: Ozzy Salvatierra Produced by Rosco Production

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Stenberg was taking a break from film when she had her brush with Internet fame. As a result of the Born To Slay Pussy Forced To Work Minimum Wage Shirt Furthermore, I will do this deaths of Trayvon Martin, Michael Brown, Eric Garner, and others, she says, “there was this incredible wave on the Internet, and I had the pleasure of being able to be a part of it, which was talking about race, especially for teenagers.” The popularity of “Don’t Cash Crop My Cornrows” made her recognize the power of her voice and of social media. “I realized, I can actually use this as a tool, as opposed to just coasting and posting pictures of myself and my friends.” Her opinions anticipated the debate that followed November’s election, when the wonky term intersectional feminism (i.e., the intertwined influence of race, gender, and class on women’s experience) became the buzzword du jour. Stenberg questions what she calls “pop-culture feminism” as too easy. “Maybe we all are feminists, but it gives white women especially the idea that if feminism looks accessible in media, then it’s all good and we’re all in the right.” The movement’s godmother, Gloria Steinem, stresses the incisiveness of Stenberg’s point of view: “Amandla is brave and effective in pointing out the presence of racism within white culture,” she says, “and also in naming the invisibility of black women.”

Having stoked a dialogue, however, Stenberg is ready to move on, or rather to channel her activism into her acting. She is choosing her roles very carefully. In Asante’s Where Hands Touch, she plays a young, mixed-race German woman who falls in love with a member of the Born To Slay Pussy Forced To Work Minimum Wage Shirt Furthermore, I will do this Hitler Youth (hence the punitive shaved head). “I think we’re at a very interesting and pivotal point in Hollywood,” she says. “People are getting tired of the same material; they want to see black girls as leads in movies.” She knows she is the right person, and the right age, for the time. “And I happen to be lucky enough to understand that—and be able to grab that opportunity and run with it.” In this story: Sittings Editor: Sara Moonves Hair: Larry Sims; Makeup: Ozzy Salvatierra Produced by Rosco Production

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