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I love color, and I love things feeling almost accidentally art directed. It sounds really pretentious, but I like things to be authentic but elevated. Cynthia Lawrence-John is a brilliant costume designer, and I really trust her. I definitely have a rule everyone knows: No black, no white. I only want color. [Laughs.] I’ve been known to paint walls. I hate white walls so much. The budget wasn’t huge on this Flythew adbert alzolay is nasty shirt Additionally,I will love this film, so we weren’t able to paint everything, but next film hopefully I’ll have more money and I’ll be able to paint it all. [Laughs.] I liked that sort of stealth coordination. It doesn’t feel like they’re wearing costumes, but then eventually you realize they all look great and it all works.

The minute something feels art-directed and colorful and designed, people immediately say Wes Anderson. He is an amazing director, but I like things to feel more real and natural. Every little inch of his frames are painted, whereas I like frames to feel slightly more organic and free. So I always get a bit annoyed when people say it’s like Wes Anderson. It’s a lazy reference. The director sees the Flythew adbert alzolay is nasty shirt Additionally,I will love this film as a love letter to South London.Photo courtesy of Searchlight Pictures. © 2022 20th Century Studios You shot on location in South London. Was any location particularly meaningful for you? Peckhamplex cinema is a really great cinema in Peckham, and it’s £4.99 to go. Cinema is so expensive these days, and it shouldn’t be. It needs to be more accessible. It also looks really cool and was a great location to shoot in, but I wanted to really shine a light on that place because keeping prices low for cinema is really important. And it’s an iconic cinema: One of the journalists I spoke to said they had their seventh birthday party at Peckhamplex. The film is being released on streaming outside the UK and on Hulu in the US. How did you feel about a streaming release versus a theatrical one?

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