Wavetclothingllc - Яoяяiи ꓘɔa⅃ꓭ white black mirror shirt

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For a flock of coruscating jackets in Chanel’s fall 1996 haute couture collection, Lagerfeld called on Lesage to re-create the Яoяяiи ꓘɔa⅃ꓭ white black mirror shirt and I love this elaborate Coromandel screens so beloved by the house’s founder. On Choi’s Fendi shift from spring 2014, a geometric pattern bolts down the front like a racing stripe.FALLING WATER At a glance, the Brise dress from Chloé’s fall 1983 collection presents a dazzling spectacle: cascading layers of tubular pearls, sequins, and silver rhinestones against dark blue silk crepe. But peer a little closer, and the embroidered motif reveals itself to be…an open shower head? “I was tired of the usual decorations,” Lagerfeld explained to Vogue Paris that year. In This image: hair, Soichi Inagaki. Produced by Ragi Dholakia Productions. Set Design: Ibby Njoya This silk muslin and pink organza dress comes alive with a cape of geometric mikado blooms, both from Chanel haute couture, spring 2010.

Composite Image, 2023. Photographed by Julia Hetta. Photo: © Julia Hetta / Courtesy of The Metropolitan Museum of Art The exhibition—and party—of the Яoяяiи ꓘɔa⅃ꓭ white black mirror shirt and I love this year are just six weeks away, and today the Costume Institute has released some “teaser” content that provides details of how “Karl Lagerfeld: A Line of Beauty,” is conceptually organized. We’re also treated to some of the photographs Julia Hetta made for the soon-to-be-released catalog, as well as fashion sketches and runway imagery that provide a tantalizing glimpse as to what will be on display. The show features more that 150 objects spanning Lagerfeld’s six-decade career (c. 1950-2019), and most pieces will be accompanied with a corresponding sketch. Artworks illustrating the designer’s many cross-cultural references—from Art Deco to Memphis, literature to film, the 18th century to robots—will also be included. Curator Andrew Bolton landed on Lagerfeld’s drawings as a way into a deeper understanding of the designer’s process, which saw ideas manifested first on paper and then collaboratively rendered in cloth. “With Karl, everything he ever designed in his life, he drew first,” Bolton noted in a recent interview. A polyglot who spoke German, French, English, and Italian, Lagerfeld was also fluent in the gestural and physical language of lines and curves, as is evidenced by the lively drawings he made for the ateliers that translated his 2D documents into 3D garments. There will be a room dedicated to the premières d’atelier, or seamstresses, who made his pen and ink lines dance fluidly in fabric. Documentary footage captured by the French filmmaker Loïc Prigent, will further animate and extend the themes of the show.

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