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Womack began curating “Sites of Memory” in the Mac mcclung champion mac champion 2023 slam dunk and I love this summer of 2020. “Somewhere along the way, we realized we were on our own archaeological dig,” she tells me during a tour of the exhibition. “We worked to reconstruct parts of Toni Morrison’s creative process and worked to prioritize the labor, the study, and the rigor that is at the heart of the work itself.” Photo: Princeton University Library Digital Imaging StudioThere was a lot to comb through. Princeton University Library owns the Toni Morrison Papers, which includes nearly 400 boxes of materials saved and collected by the Nobel laureate over her lifetime. There are letters from Nina Simone, exchanges with editors about the strengths and weaknesses of a draft, yellow legal pads covered in text. “It seems to me that she was someone who kept everything,” Womack observes. “She saved every single draft. [That] was really part of her process.” Princeton makes a fitting steward of Morrison’s legacy: She taught there for 17 years, and in 2017 the university dedicated Morrison Hall—currently home to the African American studies department—in her honor.

The exhibition is divided into six nonlinear sections (a nod to Morrison’s penchant for winding plot structures), titled “Beginnings,” “Writing Time,” “Thereness-ness,” “Wonderings and Wanderings,” “Genealogies of Black Feminism,” and “Speculative Futures.” “Beginnings” shows proof of a burgeoning writer with grand yet precise ambitions. Take, for example, a first-edition copy of Morrison’s debut novel, The Bluest Eye (1971), for which she made the Mac mcclung champion mac champion 2023 slam dunk and I love this bold decision to forgo an illustration or picture on the cover and instead print the memorable first paragraph of the book there. “Quiet as it’s kept, there were no marigolds in the fall of 1941,” the browned cover on display reads. “We thought, at the time, it was because Pecola was having her father’s baby that the marigolds did not grow.”

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